Negroni Shirt - Part III

Here at Oil and Thread things hotting up with the Negroni shirt and I am beginning to feel the pressure!

The first job today was to pleat the back of the shirt...

... and baste [tack?] the pleats in place.  I used the longest stitch setting on the Singer 201K which runs to six stitches per inch or four millimetres in "new money"

Then I sewed the outer yoke to the back of the shirt.  I'm always sort of surprised as my projects begin to resemble the garments they are supposed to be but this really does look like the back of a shirt!

Adding the shirt fronts was fairly straight forward.  I couldn't resist draping this shirt-like item over my shoulders - just to see.

Then I waded straight in and added the collar to the back yoke.  So far everything is lining up pretty well, notches, circles etc.  The directions are to "Baste the collar in place, using a 3/8" seam allowance". This has been the hardest step so far.  I think the problem arises from the need to attach a curved edge (the neck line) to a straight edge (the collar) coupled to my inexperience.  My last job today was to baste a small loop for the top button onto the left shirt front.  You might be able to spot it under the mass of thread.

That's all for today.  The next step; Attaching the facing and inner yoke looks like a biggie and I think I need to come to it fresh.  We'll see how it goes.

Negroni Shirt - Part II

Today has been all about making the collar for my Negroni shirt.  I am echoing the pocket flaps with a contrasting under collar.

I wanted to be certain that the lighter coloured fabric would not be visible when the collar is turned down so I spent a bit of time boning up on "the turn of the cloth".  I trimmed about an eighth of an inch off three sides of the under collar in an attempt to ensure that it would not be visible from the "public" side.

I trimmed the seam allowances and  used a letter opener to gently shape the collar points.  They're not identical but very similar and probably as good as the points on some of my shop bought shirts.

Top stitching: Singer 201K, size 11 needle, 12 stitches per inch, Gütermann cotton thread.  This has to be one of the reasons why that model of machine is still so well thought of

I used the quarter inch side of the foot on my sewing machine to guide my top stitching.  One part is not as even as I would like but was too good to rip out.  Some things we live with right?

This piece of textile madness is the inner yoke and facing assembly.

I have interfaced both facings, stay stitched the curved edges of the yokes and facings, turned back and hemmed one edge of the facings and attached them to what will become the inner yoke.  The green linen look cotton might have been ok without the interfacing but I wanted to do things by the book (for the first shirt at least).  I have a feeling that the interfacing made it easier to turn and press the hem.  Something to remember for the future.

Well - so far so good?  Thank you all for looking at the blog.  A special thank you to those of you who have left comments, the encouragement is great and welcome to any new followers.  I hope you are all enjoying your sewing as much as I am at the moment!

Negroni Shirt - Part I

I have finally started my first shirt!

I am using Colette 1014 Negroni. I found out about this pattern over at Male Pattern Boldness a mere two years too late to participate in Peter's Men's Shirt Sew-Along.

I was going to make Vogue 8889, I had bought the pattern, I had read the instructions, I had examined the pattern pieces and I bottled it.  It just didn't feel like a first-timer's pattern.  I still intend to make Vogue 8889 because I think it is a great looking shirt but for the time being I have my ironing board full with Colette 1014!

So where have I got to?

Saturday

1. Pre-washed the green (aborted  quilt backing) fabric
2. Cut up and ironed the paper pattern pieces I need for the short sleeved version of Negroni
3. Traced size L of the pattern pieces onto some plain tissue I had lying around
4. Worried about how much the fabric had shrunk and how I would make the cutting layout work

Sunday

1. Stopped worrying
2. Fathomed an alternative cutting layout
3. Cut most of the pattern out of the green fabric

Monday

1. Bought green thread and fusible interfacing
2. Soaked interfacing in hottish water to pre-shrink it
3. Finished cutting
4. Started sewing!

Look! I made pocket flaps.  One of the things I really like about this pattern are the free pocket options which can be downloaded.  I chose the asymmetrical pocket flap in conference with The-Much-Belovéd.  We both liked the idea of the way they might look with the pointed pocket option.

This is how they look with the pockets.  I made a card template to press the pockets around.  This is a really neat technique that I have only just read about.  I wish I had known about it when I was making the apron for my sister back in December!

The green was not planned for this project so the yardage is a bit touch and go.  To help make it go further I have used some of the owl fabric left over from the fence rail quilt to make the pocket flap facings - cute?  I even remembered to match the bobbin thread to the contrast fabric.

My very first shirt pocket - ever!  How proud am I?

I just haven't been able to bring myself to sully that sleek pocket flap with a button hole.  Is it wearable left as is?

Pocket is edge stitched and the flap is top stitched

Tomorrow I need to make another one to match this and decide whether or not to add buttonholes to the pocket flaps before I go much further with the construction of the shirt.

I am enjoying sewing this pattern. I am going to take my time and savour it.

PJ Pants

Simplicity 0501 is a free download available here.  It's one of those patterns where you mess about printing it on 25 sheets of paper, match the sheets up, and stick them together with tape.

As this pattern only has two simple pattern pieces this is not too onerous a task but I don't think I'd be up for doing this with anything more complicated. Overlapping printer paper and tape make the pattern rather heavy but it all works.  I used shears to cut out.  I am not too good at curves with the rotary cutter.

The really great thing about this pattern are the lovely clear instructions. They really are written with the beginner in mind. I love the fact that they explain how to cut a double thickness of directional print by folding the fabric in half lengthways, cutting and then rotating one piece by 180 degrees - simple when you think about it right?

Those who have been following events here at Oil and Thread may remember that I wound a class 15 bobbin with navy thread ready for this project back in March! I remembered this and the as the Singer 15K was still out from making the tailor's ham the choice of machine for this project was automatic.


The first step, having cut out the fabric, is to make two button holes, near the waist, for the draw string. I usually like to make button holes with an automatic Singer buttonholer (the kind that takes a template) on my Singer 401G. This attachment (which is fab and I will show you someday) only fits Singer slant shank machines. I didn't want to drag out and set up another machine so I thought it better to try out this buttonholer, also made by Singer, which fits standard low shank sewing machines.

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As far as I know this model of buttonholer is more common in the UK and Australia.  It is the cream and red, face-lifted, version of the type where buttonhole length, width, bite and stitch length are all independantly adjustable.  This means that making sample buttonholes is a must!  It's a little scary but I work systematically. Get the lenth right first, then the width and the bite need to be adjusted in close conjunction with each other to produce an acceptable buttonhole. My aim, based on the pattern markings, was a half inch button hole that was wide enough for me to cut with my seam ripper and embroidery scissors.  It took me four goes to produce something I thought garment-worthy.

Button hole, bottom left passed the test!

I remembered to strengthen the button holes with interfacing saved from the cuffs of the white shirt I repurposed to make the log cabin quilt.  It's sew in rather than fusible.  I don't think that this will matter.

I am a happiest working with straight stitch machines and a real fan of flat felled and French seams so I deviated from the pattern instructions which suggested pinking and overcasting the seam allowances.  I sewed the inside leg seams, wrong sides together so that my flat felled seams would appear as a design detail on the outside of the garment.

This leaves the inside, which will be in contact with the wearer, as smooth and flush as possible.

The new tailors ham made pressing the seams so much easier.  I am a convert!

I am really happy with the way these have turned out.

Baby Fence Rail - Pt V

Well I think it is safe to say I have crossed the border with the Baby fence rail quilt top.

The first border finishes at two inches.  The pattern instructions are to make the border oversize (both width and length), sew it to the quilt and then trim it down to two and a quarter inches in width.  That's why I have the cutting mat and rotary cutter on the floor (mind the carpet!).  The eagle-eyed amongst you with notice that I added borders to the long sides first and then the shorter ones.  I feel that this makes for more pleasing proportions.

The outer border is made from the darker tone on tone leaf fabric.  The pattern instructions are to trim this down to four and a quarter inches so that when the quilt is bound in (yes you've guessed it) the yellow fabric four inches will be showing.  The effect of adding the darker petrel blue border quite startled me.  I don't think I've made the quilt top too gender specific by doing this?

My progress with project has ground to a halt this week because I have no suitable wadding [batting] or backing materials.

I bought 2.3 meters of plain green cotton which is not only the wrong colour but also slightly too little for the job [silly Mr G] and when I went to buy batting the shop didn't have enough of the cotton/poly blend I liked so much when I made the last quilt.

I am now on the look out for some cotton which is the rusty red colour of the little owls - unless someone can suggest a different (better) colour.

As for the green?  Well at the risk of ending up looking like a stout Robin Hood or a geriatric Peter Pan I may use it to make a shirt... ...or shorts... ...or something...

Hamming It Up!

One of these days I am going to make a shirt and with this in mind I have been reading and re-reading Peter's sew along at Male Pattern Boldness.  One of the notions I have read about in David Coffin's book and Peter's blog is the tailor's ham.  This item is intended to make the pressing curved seams easier.  There are those who say it's very difficult to manage without one.  With all of the advice dancing in front of my eyes I decided to see if it would be possible to make a ham all of my very own.

There are dozens of tutorials on how to make your own tailor's ham.  I found this one at Chance of Rain which has an easy to print pattern piece and clear photo strip instructions.

The ham is made up of three layers of calico, one of cotton poplin and one of wool [?crepe?].  Here I have tacked the layers together and am now sewing them right sides facing.  It's a while since we've seen the Singer 15K80 so I thought I would give it an airing.  It sailed through the layers like a hot knife through butter.  I back tacked the ends of the seam by turning the work in the machine.  Not my favourite way be easy to do with small goods like the ham-shell.

Here is my ham-shell after clipping the seam allowance and turning.  The pattern advises keeping clipping to an absolute minimum so as not to weaken the seam.

Anyone for porridge?  No it's wood shavings - well softwood bedding to be exact. It's cheap enough and easier to find here than your actual sawdust. It has a wonderful smell that reminds me of my Dad.

Here is my ham after I had stuffed and sewn it shut.  The finished size is approximately six by nine inches.  I'm not sure if I got it stuffed full enough but it feels pretty firm.  I'm looking forward to seeing if it is large and curvy enough to be useful.  

There's something quite cute about a tailor's ham don't you think?  It's certainly tactile.  I can now see why they used to stuff soft toys with sawdust!

Singer Black Box

This box of tricks arrived here a few weeks ago, hot on the heels of the Singer 99K.  Up until now I haven't made time to photograph it but yesterday evening the light was quite good so I got to work.

It's full of shiny goodies.  This mass of twisted metal is the standard kit that would have been supplied with a Singer sewing machine when new.  

This particular set has three class 15 bobbins which would tend to indicate that it once belonged with a 15 machine.  I understand that the ones for Singer 66, 99 and 201 had the same kit but with class 66 bobbins.  As far as I can tell the attachments should fit any low shank machine.  Instructions on how to use all these attachments was included in the second half of the manuals that came with the machines.

15 class bobbins

large and small screwdrivers

quilting foot and guide

slotted binder foot

seam guide and fixing screw

tuck marker

narrow hemming foot

I am not yet confident that I can remove all of the contents from the box and manage to get them back in the right place so I took the attachments  out one by one to photograph and identify them.  Some I am familiar with, some I have used and like and some I am looking forward to trying out for the first time.  Who fancies my chances quilting the Baby Fence Rail Quilt on the Singer 201k with the help of this quilting foot?

adjustable hemming foot

ruffler foot

under braider