Baby Fence Rail Pt VI

A couple of weekends ago I finally got to the shops to buy some wadding (batting) so that I can finish the Baby Fence Rail quilt.  That was the easy part.  I still needed to choose a backing fabric (remember the green stuff I bought for the purpose and then turned into a shirt?).  After trolling the streets of London for an hour or two I settled on some cassis-coloured (that's pale purple to you and I) cotton sateen lining fabric.  Surprisingly the colour combination works.

Having bought the missing ingredients I discovered new enthusiasm for this quilt.  So I wasted no time and gave the wadding a bath!  This is supposed to remove excess cotton oil which could mark the quilt and to preshrink the wadding.  Some people do and some people don't.  I guess I am just one of those guys who do.

With the wadding and backing fabric washed, preshrunk and dried I layered the quilt sandwich in the usual way.  Pausing only to spend a few minutes deliberating over the right/wrong side of the cotton sateen.  I decided to put the shiny side out.  I thought that this would feel nicest if anyone should try sleeping under the quilt.

When I sandwiched the Log Cabin quilt one of my readers was rather alarmed by how few pins I used in my basting and I solemnly swore to use more on my next project.  I even bought some fancy curved safety pins.  I basted at approximately four inches or less and here is a photograph to prove it.  I must confess that the whole thing feels a lot firmer and I am hoping it will make the quilting process easier.

Now for the really big news.  In an exclusive announcement made this evening our spokesman can confirm that this quilt will be quilted OUT of THE DITCH!!

I have started to mark the quilt top with inch wide masking tape.  I am going to quilt the centre of the quilt with a diagonal cross hatched grid.  Tomorrow, with a fair wind, I may get the Singer 401G out and lay down that first row of quilting...

Seam Guidance or This one's for Matt C

Of all the sewing machine accessories I own (and they have rather mounted up here over the last year) the one I use the most is my seam guide.  This is probably because I use old black sewing machines with no markings on their throat plates.  To the best of my limited knowledge there are two basic types of seam guide.  The first is quite heavy, T-shaped, and pictured left.  This is the kind that tends to come with black japanned Singers with gold decals.  The second is made of lighter pressed metal and plastic and tends to be found with the later tan, pale green and duck egg coloured Singers.

Early type Singer seam guide

Later type Singer seam guide

Both types will screw into either hole in the machine bed of a black Singer sewing machine [say a Singer 66 for instance Matt]  I've taken pictures just to prove my point.  Notice that the later type can be swivelled about to allow for sewing curved seams.

If you have a zig-zag machine you can also use this type of seam guide to help with making a blind hem.  I haven't done it yet myself but this operation is on my experimental to-do list

Now this is not, as you might think, a six inch/15 cm ruler.  It is, in point of fact, a knitting and sewing gauge.  I know this because it has this written on one end of it.  This gadget, with its sliding marker, has a number of uses.  I use it a lot to set up the seam guides on my black Singers, none of which have markings on their throat plates.

Sewing and knitting guage

Now although these old Singer are not marked in the way that a modern machine would be there are landmarks if you know how to read them.  I've tried to illustrate the first here.  This is the front one of the two screws which actually hold the throat plate on to the bed of the machine.  Check out the seam gauge.  If you use the right edge of this screw as a reference point you'll be sewing a quarter inch seam allowance.  This is useful for those who piece quilt tops and other patchwork projects.

The next land mark is the mystery hole nestling snugly in the D-shaped throat plate.  Don't look for one of these if you have a VS machine like a Singer 28, 27, 128 or 127 because I don't think you will find one.  I'm not entirely sure what the intended purpose of this hole is.  I think it might be something to do with an under-braiding attachment sold by Singer.  The other interesting fact is that by using this hole as a seam guide you will be sewing a ⅝ seam which just so happens to be the industry standard for home sewing patterns.  Don't believe me?  Check the sewing gauge - handy eh?

Now, without the aid of the seam gauge, if you have the older type of seam guide and thumb screw you have two useful default settings.  The first I wrote about last time is for a ⅜ seam allowance and the second is achieved in the following way.  Set the thumb screw in the threaded hold nearest the throat plate and position the flat side of the seam guide as close to the thumb screw as possible.  This creates a spacing of one inch.  I suspect that this might well come in handy for turning hems.

Some people have seam guides and use them, some people have sewn beautifully for decades and have never seen a seam guide never mind used one.  They were a standard in the accessory boxes for Singer sewing machines so millions must have been stamped out over the years.  Bear this in mind if you are going to buy one.  I wouldn't want pay more than a couple of pounds for one.  It might be more cost effective to buy a job lot of accessories that include a seam guide - mixed lots turn up regularly on ebay.  If you can find one to buy cheaply or, even better, get one given to you you will have an easy to use accessory which will really earn its keep.

In parting I leave you with a link to one of Muv's (of Lizzie Leonard Vintage Sewing fame) excellent video tutorials.  If you're not familiar with her videos and blog check them out.  They are a priceless source for the care and use of vintage machines!  I cannot recommend them enough!

Wrap Around Pinny

The instructions on how to create the pattern pieces are very clear and quite simple.  The garment is made up of three pattern pieces which are easy enough to draft.  I found my 24x6 quilting ruler useful.  I used squared pattern paper but as my instructions were imperial and my grid metric this was a questionable benefit.  Inch square paper doesn't seem to be that easy to find in the UK anymore.  A French curve might have been handy for the armholes and neck line but I made a passable free handed attempt.

One of my sister's neighbours was kind enough to send me a good sized bundle of fabric she no longer wanted.  These two fabrics were included.  The yellow is 100% cotton printed with a design called "Seagull" as well as gulls the motifs include starfish and sea shells.  The blue deck chair stripe feels more like poly-cotton and had been hemmed as [Wendy House?] curtains in the past.  I didn't have enough of either to make anything large but I thought the two designs worked well together in a seaside-y kinda way.  I estimated that I would have enough fabric to piece the pinny with enough of the blue stripe left over to make the bias binding for the armholes and edging.

I elected to use the diminutive Singer 99K for this project.  I hadn't touched it since I altered my ironing board cover so I thought it was owed a spin.  As you will have seen from Saturday's post the designated sewing space is far too messy to use so I opted for the dinning table for this project.  The 99K is also the easiest machine I have to carry over there.  The blue poly-cotton is a good bit lighter than the Seagull cotton and has a tendency to pucker.  I improved matters greatly by backing off the tension about three-quarters of a turn.  The pattern includes a "⅜ inch turning".  I guess that is 1940s speak for seam allowance.  Interestingly my seam guide has a default setting for a perfect ⅜ inch seam allowance when set up as below.  Was this once some kind of dressmaker's standard I wonder?

I tried my hand at directional sewing.  Starting at the hem and sewing toward the waist.  Did I get it right?

Regular readers will know what a fan I am of flat felled and French seams but both of those options felt a little bit over engineered for a pinny so I decided to try a technique I had read about in a few different places on the internet.  I think it was probably a post on someone else's blog, which I now can't find, which put the idea of this kind of seam finish and domestic work wear together in my head.  I gather that this was a common seam finish in the days before zigzag sewing machines or over lockers.  It is very simple to do you just make a line of stitching within the seam allowance.  The stitches are supposed to act as a barrier to fraying.  I used the ⅛  side of the presser foot, against the edge of the seam allowance as a guide for my row of stitches.  On a ⅜ seam allowance this means that the ¼ inch side of the foot was against the middle of the seam.  Neat or what?  I love it when a plan comes together.  A more upmarket looking variation on this theme, which I have yet to try, suggests turning the raw edging of the seam under and then stitching.

The only down side to using this seam finish is that you end up sewing each seam three times.  The skirt of this pinny calls for no fewer than ten (yes ten!) separate panels (or should that be gores?) so I had the little 99K really chattering away to itself.

So now I have to make yards of bias binding and some apron strings.  Watch this space.

Did your granny wear one of these?

I don't recall my Gran wearing a traditional apron.  I remember her occasionally wearing a mauve overall (which has a nice consonance).  There is even photographic evidence of this garment somewhere at my mother's house.  Where I grew up butchers, joiners and freemasons wore aprons whereas Mams, Mothers, Grans and Grannies wore pinnies.  My own Mam had a rather fetching vinyl/oilcloth number with Superwoman (yes Super not Wonder) on it.

I am seldom certain of what motivates me but while I was on holiday I decided that, when I got home, I was going to make what I thought was called "a cross over pinny".  So I googled that phrase and was more or less thwarted by my NW UK English usage.  After further lateral searching I discovered that what I was really looking for was a pinafore.  This surprised me because I thought a pinafore was a dress. I was convinced of this because I remember my Mam sewing them for my sister.  She would ware a polo neck sweater underneath.  They were the girl equivalent of my dungarees.

I often discuss things with The Much Belovéd and this proposed project was no exception.  Now he grew up on the other side of the Atlantic, far away from our red brick man traps with their scrubbed steps, and when I told him what I had in mind he had some difficulty understanding me.  After further discussion we established that down his alley what I call a pinafore dress is a jumper, a UK pinafore is a US house dress, an English overall is a North American cover all and an apron is an apron.  Are we all singing from the same hymn sheet?  Great!

Thanks to actresses like Irene Handle...

 .........Kathy Staff... 

...and Jean Alexander this garment looms large in the psyche of one born in the late 1970s and weened on a diet of British television during the 1980s.

However this garment does not loom large in the psyche of internet search engines and sewing patterns, never mind free sewing patterns, for such garments are few and far between.

I did however manage to track down an inexpensive PDF explaining how to create your own pattern and construct a pinny from scraps. You can find it here if you are interested and if you are really interested you can tune in here soon to find out how I got on with it.

All of the things that stopped me blogging

Hello readers!

What's that I hear?  Total silence?  There are probably none of you left as I haven't posted a word since I finished the Negroni shirt back in June.

Negroni shirt being worn on Cape Cod

So what has been happening since then?  Well I left my job, moved house, went on holiday, came back and started a new job.  So not much then really.

So the bad news is that I haven't had a lot of time to sew and therefore nothing much to blog and the good news is my new home has, or will have, a designated sewing space.

This muddle is my outstanding unpacking and the space will be the sewing room.

So the target for next week is to unpack, declutter, plan and arrange this room.  I still have an owl quilt to finish and that due date is getting closer and closer!

Negroni Shirt - Part VII

Negroni 1 is finished so I got TMB to take some pictures of it (and me).

There's something weird going on with my right shoulder.  I am supposing that this is to do with the mistake I made on that side of the collar.  

The next pictures show off the contrasting under collar and the weirdness where the right shirt front, outer yoke and under collar meet

I would shorten the sleeves, maybe as much as two inches, if I made this shirt again and use real shirting because I think that it would improve the drape.

I think the back isn't bad but could benefit from a good pressing.  Maybe the yoke is a shade wide for me?  I think I will make more shirts in the future.  I've enjoyed the challenge and the experience.  I would like to try Negroni again and hopefully improve on this first effort.  I think the first issues to address are my technical short comings and then look at fit.

Negroni Shirt - Part VI

It's buttonhole time for the Negroni shirt.  I had a grim determination to finish the project on the 201K and I've never used the buttonholer on that machine so I decided it was time to give it a try.  The first thing to do was take the straight stitch presser foot off the machine.

Here is the 201K with the presser foot removed.  There's something really strange about seeing a familiar object with one tiny detail changed - a bit like seeing the cleanly shaven face of a usually bearded friend?

Interestingly the instructions of the buttonholer are to always use the cover plate and never to drop the feed dogs. I cannot imagine why this would be but I am a great one for doing as I'm told so here we are.  I make sure the needle passes through the slot in the cover plate and screw it down securely.

It takes a bit of jiggling to get the presser bar, buttonholer and needle clamp all lined up but here we are secure.

The two red plastic thumbscrews on the right of the machine allow one to adjust the "BIGHT" and "WIDTH".  The flat head adjustment screw for the stitch density is hidden in the triangular window in the body of the attachment.

Meanwhile, over on the other side of the attachment, the other small thumbscrew adjusts the length of the buttonhole.  In a middle position like this one the buttonhole comes out at about half an inch.  The larger screw advances the buttonholer through the perimeter of the buttonhole.

I made lots of sample buttonholes and even tried out the bar tack feature the attachment offers (centre top).  I had to play around a lot it's all fun trial and error stuff.  I found the belt of the machine slips a bit with the buttonholer adding extra drag so I may shorten it.

My finished button holes look okay and they work.  We'll see how they hold up to wear.